“Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years.” ~ Richard Bach
“Benjamin?” She asks the cloudy day. “Is there some way, if you’re still there, that you can tell me? Or show me?”
“Maybe…” I say that words aloud, knowing she cannot hear me. “I can show you. It’s becoming quite obvious that I’m incapable of communicating in a state less than rage, but perhaps I can show you.”
As quickly as I can, I scurry to the closest tree and snap off a long, thin twig. Breaking it into six small pieces, I carry them swiftly back to my tombstone. Ivy is still sitting there; either awaiting a reply or losing hope. In the mud in front of us, I lay out three of the tree pieces vertically. One piece is placed between two verticals, connecting them in the middle, while I lay the last two pieces horizontally on the top and bottom of the third vertical. Together, the six small pieces spell out a solitary word: HI.
“Hi.” Ivy breathes out before a twig snaps behind us, startling her and inducing us both to spin around.
“Hi?” Danny’s voice questions as he looks at the stick pieces upon the ground. His eyes travel to Ivy and then around the graveyard. “What are you still doing out in the rain?”
I stop listening and quickly find my way away from the graveyard, leaving Ivy and Danny behind so that they can speak in private. It’s an odd new emotion that overwhelms me as I walk down the dirt road. Some one, other than the reverend, knows that I exist. In truth, it is more than that even; the reverend knows that I exits, but I’m not convinced that he knows I’m not actually living. Ivy, while she may not know much about me, at least knows that I’m not exactly a solid person.
The rain is slowly beginning to ease up and I decide that I should head back to the graveyard. When I get there, Ivy has left, but in her place, the twig pieces have been rearranged. Instead of reading HI as they did when I left, they now spell out her name with only one twig piece used for the ‘I’ in Ivy. At least it lets me know that she got my message.
As I’m on my way, my pace steadily fluctuates. One moment I’m moving swiftly with anticipation at the chance to speak with another person and the next, I’m dragging my feet through the mud, petrified with the idea of how someone might react to meeting me. Between the quickened pace and the lethargic movement, the two speeds balance each other out and I end up at the Carter home place in average time. Climbing the steps up to the front door, I sigh loudly as I let my knuckles tap methodically against the wooden door. As her grandmother opens the door, the light from the house floods out into the night and I remember my attire. My long socks and undershirt are quite characteristic of the era I grew up in, but I must rely on the varying fashions of the modern day to alleviate any suspicions that may arise from my odd taste in clothing.

Night's Final Hour by Crystal and Pamela MacLean is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.
Crystal, a college junior, lives in South Carolina with her sister, parents, and dog. At the College of Charleston, she double majors in Business Administration and in Theatre for the Youth. After college, Crystal plans to go to graduate school to become an elementary school teacher. During her spare time, she enjoys writing, reading, attending Renaissance Festivals, music, friends and family.
Pamela lives in South Carolina with her sister, parents, and dog, Kandy. She is twenty-three with a bachelor's degree in early childhood education. She is currently pursuing her master's degree at the College of Charleston in education as well. In her free time (when she's not writing), she enjoys attending Renaissance Festivals with her sister and reading a variety of books.


